A lək̓ʷəŋən Burial Island

Halket or Deadman’s Island (Please respect this special location and view it only from a distance). On southern Vancouver Island it was common for, at least some, Indigenous families to place their dead, on small Islands. In historic, or post contact times, burials were placed on these islands in boxes, canoes or small shed-like structures. It is unknown how far back in time this practice extends. Underground burials were common before 1000 years ago. One of these burial Islands, known to be used in the 19th century, was Halket Island in the Selkirk Waters above Victoria’s upper harbour. It is located north of the Point Ellice Bridge (Bay Street), between the foot bridge (old CN Railway trestle Bridge) on the … Continue reading “A lək̓ʷəŋən Burial Island”

Indigenous Canoe Racing on the Gorge Waterway

Preface Here I will provide a brief overview of historic mid 19th to mid 20th century Indigenous canoe races in the Gorge Waterway. I will also include an appendix with an Indigenous canoe related story, reported in 1936, to make it more accessible for students. Indigenous stories on the southern coast of British Columbia often included explanations of how physical objects such as nets and spears were first given to them and how people gained the knowledge about how to use them. One of those stories involved the discovery of adze blades and their use in canoe making and the supernatural prerogatives involved. It was recorded by Beryl Cryer (1889-1980), who acquired many Indigenous stories, many of which came from … Continue reading “Indigenous Canoe Racing on the Gorge Waterway”

Fishing Power and Abrading Stones

One of the most common artifacts found in archaeological site on the southern coast of British Columbia are abrading stones. These were used for grinding or abrading in the shaping or sharpening tools made of bone, shell and antler. They were used in shaping ornaments and grinding pigments. Abrading stones come in many shapes and sizes, were made of different raw materials, and like modern sandpaper, they came in many grain sizes. By far, most are made of sandstone and are plain slabs of rectangular, square or irregular shapes. A small number are especially shaped in the form of animals, usually whales or fish. It is these I am interested in here. Figure 1, shows two sides of a sandstone … Continue reading “Fishing Power and Abrading Stones”

Indigenous Bark Beaters in Coastal British Columbia

Were they Introduced from Polynesia? Preface Over the years from the 1970s to 2000, I had interesting discussions with Thor Heyerdahl during his research visits to the Royal B.C. Museum. I came to have a good understanding of his changing philosophy. Thor began his interests in British Columbia when he visited Bella Coola in 1939-1940 to compare petroglyphs at Thorsen Creek with Polynesian art forms. Unlike some of his critics, I read his scientific publications as well as his popular books. He was, on occasion, dismissed in the academic world, for some of his ideas that he had long given up. I assisted Thor in examining Museum artifacts he was interested in for possible Polynesian connections and suggested some myself … Continue reading “Indigenous Bark Beaters in Coastal British Columbia”

Mystery of the Songhees Memorial Poles

Two older memorial poles, once on the New Songhees Reserve, have contradictory information about their provenience. Who carved them? One was originally owned by the Songhees Councilor William Roberts (1894-1938) and the other by the Chief Michael Cooper (1864-1936). The William Roberts Pole This pole is in the Royal B.C. Museum collection with two numbers. RBCM Ethnology # 5043 is the main pole, and RBCM #5051 is the eagle carving that was once on top of RBCM # 5043. It was purchased from Songhees Band member Alice James in 1940. The Report of the Provincial Museum of Natural History For the Year 1940 (1941:D14) refers to: ”By Purchase. Mrs. Alice James, Victoria. One totem-pole, 1 eagle figure”. Songhees Band member, … Continue reading “Mystery of the Songhees Memorial Poles”

Stone Human Seated Figurine Bowls

Part 3. Cowichan to Courtney Part three includes 12 bowls from locations between Cowichan and Courtney on Vancouver Island, with a few close Gulf Islands included. This is not a complete listing, as there are a number of seated human stone bowls or fragments from private collections that are not included here. Some individuals with private collections, for various reasons, do not want their names made public. I have only included previous owner names here. Many of the images I have copied over the last 50 years from various sources for different purposes. The current location of some and the names of photographers is not known. Porlier Pass Bowl This bowl (Figure 1 & 2), is now in a private … Continue reading “Stone Human Seated Figurine Bowls”

Stone Human Seated Figurine Bowls

Part 1. Victoria to Sooke. One of things I find fascinating is how humans have represented themselves in ancient times. In S. W. British Columbia and N. W. Washington State, stone seated human figurine bowls have been of most interest in this regard (Duff 1956; 1975; Carlson 1983; Keddie 1983; 2003; Wright 1991; Hanna 1996). These stone figures have been used in various kinds of rituals that will allow us to potentially observe regional differences and diffusion of cultures in the past. All cultures are influenced by their neighbours and these objects are one of the puzzle pieces that will allow us to reconstruct some of those ancient patterns of connection. The finding of most of these stone figures has … Continue reading “Stone Human Seated Figurine Bowls”

The Shuttle-cock Lure. Fishing around the Salish Sea

By Grant Keddie The shuttle-cock lure and spear, was a unique form of technology used to catch mostly the larger lingcod and rockfish. The fisherman used this device at low tide from anchored canoes or rock points that overlooked kelp beds. The lure would be pushed down deep with a separate pole that was quickly pulled away from it. The lure then spun toward the surface, the fish darted after it and was speared when it came near the surface. The spear was 4.5 to 6 meters long. It consisted of two or three, unbarbed, fir shafts on the end. The shafts were about 4cm thick, 46cm long and about 10 cm apart at their tips (Swan 1870; Jennes 1934-35; … Continue reading “The Shuttle-cock Lure. Fishing around the Salish Sea”

Jimmy Fraser the Songhees Story Teller

By Grant Keddie. In 1941, World War II was on. At the age of 72, Jimmy Fraser (Kin-Kay-nun; Unthame, Cheachlacth) of the Songhees Nation, stood next to his fellow band members Jack Dick, Roddy Stewart, Art Hall, Clarence Dick, Richard Albany, Dave Fallardeau and Louis Kamai, at the Esquimalt dock yards, famous for their ship building. The Songhees were being praised for their contribution to the war effort. Like so many other Indigenous people then and before in World War 1, they contributed to the Canadian war effort. The Songhees were being singled out for the work they were doing at the dock yards. The foreman at the dockyards said the Songhees “were the best workers he ever had”. (Colonist … Continue reading “Jimmy Fraser the Songhees Story Teller”

Indigenous Combs of British Columbia

By Grant Keddie. Preface Combs are artifacts used by many cultures around the world over thousands of years. They are used primarily for disentangling and arranging the hair, but also as decorative items for holding the hair and head pieces, they have evolved into symbols of status or authority and cultural identity. To make a point, I show an extreme physical example of an Ashanti comb from Ghana in figure 1. Large Ashanti prestige combs were given by men to women as an act of devotion and commitment. In the 1970s, African combs took on a role in African American culture and politics where they became a sign of solidarity to the Black Power movement as a cultural statement. Combs … Continue reading “Indigenous Combs of British Columbia”