Labrets in the Collection of the Royal B.C. Museum

2007. By Grant Keddie Introduction In my publication: “The Use and Distribution of Labrets on the North Pacific Rim” (Syesis 14:59-80, 1981), and paper: “Symbolism and Context: The World History of the Labret and Cultural Diffusion on the Pacific Rim” (Keddie 1989 – this web site), I presented an overview of the geography, timing, gender relations and symbolism pertaining to labrets or lip plugs. I have argued that Labrets are artifacts of significant importance in the interpretation of past human behaviour. As highly visual body adornment, labrets provide evidence of relationships between and among people. Labrets have taken on complex symbolic meanings beyond the obvious indicators of group membership, age, gender and class identity. Once they become established in a … Continue reading “Labrets in the Collection of the Royal B.C. Museum”

Symbolism and Context: The World History of the Labret and Cultural Diffusion on the Pacific Rim

Paper originally presented at the Circum-Pacific Prehistory Conference Session VIII Prehistoric Trans-Pacific Contacts, Seattle Washington, U.S.A., August 1-6, 1989. By Grant Keddie Introduction The question of whether or not Asiatic cultures have influenced cultures of the New World is linked with the problem of how we tell whether cultural charge is internal or external. As Hodder points out “all change incorporates continuity and the archaeologist can emphasize one or the other at will”. The problem he suggests has been “the failure to identify continuity and change as social-symbolic processes”. There is, he argues, a “need for archaeologists to examine the origin and divergence of long-term cultural traditions” (1987a:8). I will present an overview of my ongoing studies on the long-term … Continue reading “Symbolism and Context: The World History of the Labret and Cultural Diffusion on the Pacific Rim”

A Chinese Coin to raise Canadian Dollars.

By Grant Keddie I was walking along a back lane in Edmonton, Alberta one day at the age of ten, when I noticed that the McLaughlin’s garbage can was knocked over. Spilled on the ground were three coins, two 19th century French and Portuguese coins and a Chinese brass, one cash piece with a square hole in the centre. I kept these coins, and later because of an interest in Chinese history, I took a special interest in collecting Chinese coins. When I searched further through the garbage can I found a signed blank check for fifty dollars. My mother suggested I should take the check back and to stop searching through garbage cans. Dorothy McLaughlin gave me 25 cents … Continue reading “A Chinese Coin to raise Canadian Dollars.”

The Question of Asiatic Objects on the North Pacific Coast of America: Historic or Prehistoric?

Originally Published in Contributions to Human History, 3. Royal British Columbia Museum. Grant Keddie May 1989 Abstract: Claims have been made that Native Indian cultures of the North Pacific coast of North America have been influenced by prehistoric contact with advanced cultures of China. Purported evidence has focused on the finding of ancient Chinese coins as well as literary references to early voyages and shipwrecks. These claims are dealt with in the context of examining the nature of the diffusion of Asiatic objects around the North Pacific Rim. Historic, protohistoric, and prehistoric events relevant to the interpretation of the evidence are discussed. Key Index Words: Alaska, archaeology, Asiatic, British Columbia, Chinese, coins, copper, diffusion, Fou sang, Huishen, iron, Japanese, North … Continue reading “The Question of Asiatic Objects on the North Pacific Coast of America: Historic or Prehistoric?”

Victoria. A Place of Strong Fibre

Originally published in Discovery, 1993:3. Summer 1993. By Grant Keddie In April 1843, native people were hired to cut posts for the walls of the first non­native buildings on the southern tip of Vancouver Island: Fort Camosun. They were given a 2’/2-point Hudson’s Bay blanket for every 40 posts, each measuring 3 feet in diameter by 22 feet long (1×7 m). On I June, about 40 men and 3 officers from the Hudson’s Bay Company began building the fort. The fort was initially referred to as Fort Camosun, and then between 6 August and 4 December as Fort Albert, in spite of an official letter dated 14 April from the Hudson’s Bay Company, which refers to the general location as: … Continue reading “Victoria. A Place of Strong Fibre”

Paul Kane Sketch Brought to Life at the Royal BC Museum

September 14, 2017. By Grant Keddie In the 1970s, I was aware of an old lantern slide in the Royal BC Museum ethnology collection that I later identified as a Songhees First Nation. I based my information on the original field portrait catalogue of Paul Kane – created when he was at Fort Victoria in 1847 (Harper 1971:315-317). I did not know at the time the original sketch was missing, and this seemed to be the only image of it. Figure 1, is No. 46 in Paul Kane’s portrait log: “Ska-tel-san – a Samas Tillicum with a (grass) hat that is much worn here south of de Fuca”, and in his Exhibition of 1848 he is listed as: “124 Sca-tel-son … Continue reading “Paul Kane Sketch Brought to Life at the Royal BC Museum”

The Rocks of Harling Point

Originally published in Discovery, 19(1). Winter 1991. By Grant Keddie One of the most fascinating places to visit on southern Vancouver Island is Harling Point in the Victoria municipality of Oak Bay between Gonzales Bay and McNeill Bay. Many people go to Harling Point to see the Chinese cemetery. You can walk up to the large concrete cremation pillars and altar and see where, in the early 1900s, relatives placed food and burned colourful rice-paper offerings for the dead. The Chinese traditionally choose locations for important cultural activities, such as burials, that are in harmony with nature by following the practice of feng-shui. In Western terms, this is geomancy, the selection of particular sites of land whose inherent qualities are … Continue reading “The Rocks of Harling Point”

The Man Who Fell From Heaven Petroglyph

1995. Compiled by Grant Keddie In the collection of the RBCM, is a cast of a unique petroglyph or rock carving that – unlike most petroglyphs – has an associated story. This story was recorded by Harlan I. Smith in 1936. The location, archaeological site GbTo-39,is on Robertson Point on the Metlakatla First Nation Reserve near Prince Rupert, British Columbia: “The origin of this petroglyph is explained by some of the Tsimshian Indians in the following story. An important Indian man, to astonish the people, said he was going up to the sky. He disappeared, but came back home some days later as he could not stay hid very long for lack of food. He explained to the people that he had … Continue reading “The Man Who Fell From Heaven Petroglyph”

Haida Gwaii to Hawaii

October 13, 2020 By Grant Keddie A Possible Case of a Haida Oral History that refers to an Ancient Voyage from the Northwest Coast to Hawaii. John Swanton, as part of The Jessup North Pacific Expedition, recorded a Haida story in the period between the winter and spring of 1900-01 from an old man, known only as Walter, who belonged to the Rear-Town-People of Yan. He considered the stories of Walter to be the most trustworthy. The narrative written in the Masset dialect of the Haida language and in English is entitled: Those Who Were Blown to Sea from Nasto. It tells the story of a man named Eagle, of the West Coast-Gi’tans – a principle Eagle family in this … Continue reading “Haida Gwaii to Hawaii”

Social Patterning in “Rock Art”
And Other Symbolic Objects of the
Interior Salish

1974. By Grant Keddie When undertaking the analysis of the organizational and symbolic content of rock art one would assume that the first step would be to base such studies on a locally derived ethnographic model. Such is often not the case as one still reads statements to the effect that rock art cannot be interpreted as it is the product of some individual psychic experience. If one takes the time to read the existing literature it is clear that most rock art representation is a product of specific kinds of social conditioning. The imagery of the art is not a random factor but a culturally controlled and cultivated phenomena. Among the Interior Salish spirit identity and the power, which a spirit gave, were associated with visible fabricated … Continue reading “Social Patterning in “Rock Art”
And Other Symbolic Objects of the
Interior Salish”